


Finn Endries is an emerging composer, songwriter, and multi-instrumentalist. His work threads the needle between folk tradition, electronic and analogue madness; microtonality and the contemporary classical; as natural with a sticky chorus as with a winding drone piece. Whether it be about Porco Rosso, a Nikolai Atrup painting, hair metal obsessed teens, or horoscopic portraits of close friends, his work often straddles between the absurd and the uncomfortably honest. They draw from a wide net of influences, ranging from Italian opera to bird formations; from algorithmic processes to Ice Age 1.
He has completed a bachelor degree in music composition, which culminated in a song cycle called Songs My Mother Taught Me - a research intensive project where he gathered and translated german folk songs and adapted them to his own contemporary stylings. He has worked with MSO violinist Sarah Curro in a series of performances titled The Poetry of Grief, and has had his works performed at a host of venues in Melbourne. He actively gigs with Flora, where you can catch him on his viola, or if you’re lucky, knee deep in an accordion solo.




Key
0.00 Little Busters - Voice, piano and electronics; part of a three part cycle. Performances by Isabella Fioravanti and Jackson Traversa.
1.08 Zodiac Portraits - Electronics; part of a three part cycle also.
2.17 Voodoo Child - Jazz band; an arrangement of the Jimi Hendrix tune. Studio live recording.
3.19 Untitled - Performed live by myself (on bowed bass guitar) and others. Track was written by Manni Churchill, and I was able to assist in the arrangement.
4.08 Untitled (Night Tide) - Voice and electronics; written in response to short film Night Tide. Performance by Manni Churchill.
4.59 Twelve Bulls - String quartet and electronic delays; MIDI recording.
