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Finn Endries is an emerging composer, songwriter, and multi-instrumentalist. His work threads the needle between folk tradition, electronic and analogue madness; microtonality and the contemporary classical; as natural with a sticky chorus as with a winding drone piece. Whether it be about Porco Rosso, a Nikolai Atrup painting, hair metal obsessed teens, or horoscopic portraits of close friends, his work often straddles between the absurd and the uncomfortably honest. They draw from a wide net of influences, ranging from Italian opera to bird formations; from algorithmic processes to Ice Age 1.

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He has completed a bachelor degree in music composition, which culminated in a song cycle called Songs My Mother Taught Me - a research intensive project where he gathered and translated german folk songs and adapted them to his own contemporary stylings. He has worked with MSO violinist Sarah Curro in a series of performances titled The Poetry of Grief, and has had his works performed at a host of venues in Melbourne. He actively gigs with Flora, where you can catch him on his viola, or if you’re lucky, knee deep in an accordion solo.

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Key

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0.00   Little Busters - Voice, piano and electronics; part of a three part cycle. Performances by Isabella Fioravanti and Jackson Traversa.

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1.08   Zodiac Portraits - Electronics; part of a three part cycle also.

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2.17   Voodoo Child - Jazz band; an arrangement of the Jimi Hendrix tune. Studio live recording.

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3.19   Untitled - Performed live by myself (on bowed bass guitar) and others. Track was written by Manni Churchill, and I was able to assist in the arrangement.

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4.08   Untitled (Night Tide) - Voice and electronics; written in response to short film Night Tide. Performance by Manni Churchill.

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4.59   Twelve Bulls - String quartet and electronic delays; MIDI recording.

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